Deuteronomy.31

The idea for AfterBurn simply came from the title and the myriad of ways a fire can burn. What results is a perpetual motion tour-de-force work for both players that takes listeners on a

Marimba music doesn't get much heavier than the second half of this set. Even the light and simple movements such as Soldier's March and Wild Rider have a certain Germanic seriousness.

This is a transcription of the complete first movement of one of Mozart's best known piano solo works. Both parts are in treble clef and can be performed on marimbas or vibraphones.

Almost Perpetual Torque for keyboard percussion trio, is scored for xylophone, vibraphone, and marimba. The three instruments are intertwined in patterns that seem to constantly spiral either upward or

Franz Shubert's Sonata in A Major D. 959 "II. Andantino," originally written for solo piano, is an expressively diverse piece requiring virtuosic playing. Adam Bruce's arrangement for two mallet players,

Robert Schumann composed his Arabeske during a time of forced separation from his soon-to-be wife, Clara, in 1839. It contains sweet melodies of love and longing for Clara as well as melodies of

This exciting and lively marimba quartet requires tight rhythmic cohesion, a pinch of attitude, and a dash of drama. Written by Maureen "Mo" Longo for four players (2-mallets each) on two marimbas,

Be Thou My Vision, a traditional Christian hymn from Ireland, is now a staple song in modern sacred music. In Brian Mueller's warm and lyrical arrangement for a 4.3-octave (low A) marimba, the

This arrangement takes the lyrical lines from Santana's guitar playing in Bella and lays them across the unique sound of a steel pan. Santana's guitar lines have been transcribed over full and rich

This piece gets its title from the "sly" movement of the left hand which supports the melody in the right. A rhythmic motive is presented at the beginning and is utilized throughout, along with a recurring

The idea for Burn simply came from the title and the myriad of ways a fire can burn. What results is a perpetual motion tour-de-force work for marimba & electronic track that takes listeners on a

Caprice à la Boléro combines a driving rhythmic undercurrent with lyrical melodicism, and as a marimba duet allows the performers to have a turn at each. Despite the division of labor, the